I, like everyone else who likes fashion (almost literally), love Nicolas Ghesquiere. I, also like many other, prefer his work at Balenciaga. Honestly, I like him at Louis Vuitton but there I feel that he has been tasked too much with creating a specific look and it’s getting slightly repetitive. You can see that there’s not as much buzz around the shows as there was a year or two ago – probably because it’s all about streetwear like Vetements/Demna, fashion’s current golden child, at Balenciaga.
For the Spring 2013 season, Ghesquiere presented a very safe but beautiful collection. It was clothes that would be worn, and honestly most of the looks are still relevant today, 5 years later (almost). For example, I remember seeing the opening look – the cross over, moulded bra top – and thinking I know this is going to sell, and now you still see girls wearing similar tops and you can still buy similar tops in stores now. The trickle down effect was so real on that item. Some people disliked the ruffles (too flamenco, they said) but I loved them. I’m partial to a ruffle. They’re flirty and feminine, yet I like how they were slightly toughened up by being in black with the contrasting colour underneath (often white or pink).
To me this collection was classic Ghesquiere. There were clean lines, minimalist details with little twists and slight architectural elements. The aforementioned coupled with the micro-mini proportions made for an interesting collection. To put this show back into context, this was the season that Raf presented his first ready-to-wear collection for Dior (highly anticipated) and Hedi’s first collection for (Yves) Saint Laurent, plus Marc Jacobs’ checkerboard escalator extravaganza for Louis Vuitton. Competition was high yet despite all of the noise, to me, Ghesquiere’s collection spoke the loudest. And it’s still influential today. That speaks volumes.